" "All right; and thank you. ‘I think you know my affianced husband. ” “Hampstead didn’t suit Lady Ferringhall,” Ennison remarked. “He fancied that he did,” she corrected him coolly. “These are the playgrounds of life. “By Jove!” he broke out, “one tries to take a serious, sober view. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. If there was such a thing as love at first sight, these two must epitomise it. He opened it—just off-hand, and then when he saw what it was he hit at the table and sent his soup spoon flying and splashing on to the tablecloth. None this end. “Home, of course,” she answered. "This gentleman wants a pair of oars," said the landlord.
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