Let me walk you to the door. You know they say, as, indeed, I have just quoted already, that all bad poetry is written in a state of emotion, but I have no doubt that this is true of bad offers of marriage. Marriage!—and no woman by to tell the child what it was! The shocks and disillusions she would have to meet unsuspectingly—and bitterly. The fact itself is regrettable enough—regrettable, I fear, is quite an inadequate word. “You see, her sister is married to Ferringhall, isn’t she? and she herself must be drawing no end of a good screw here. Kneebone—she was too well acquainted; having, more than once, been obliged to repel his advances; and, though his impertinence would have given her little concern at another season, it now added considerably to her distraction. ” “And if you are a millionaire like Drummond,” someone remarked, “you send round a note and ask her to come out to supper. “I MUST speak to you,” he said.
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