All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. And I think also that Gosse—I mean that one who calls himself Valade—stole it. Each time also we quarrel, and even if you are laughing very much, you become angry. Don’t ask me how. Love-making at first hand is dull enough.
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