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gutenberg. ’ A strangled sob escaped her as his thumb dug cruelly into the soft flesh of her wrist. “Fighting goes with loads of its own baggage, John. It was immediately opened by a man with light eyelashes and a manner suggestive of restrained passion. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. While I have been pestering you, have you heard it? At least, you heard the first act. It became a sort of duel at last between them, and all the others sat and listened—every one, that is, except the Alderman, who had got the blond young man into a corner by the green-stained dresser with the aluminum things, and was sitting with his back to every one else, holding one hand over his mouth for greater privacy, and telling him, with an accent of confidential admission, in whispers of the chronic struggle between the natural modesty and general inoffensiveness of the Borough Council and the social evil in Marylebone. I spent my fair share of time in the closet.

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